Tag Archives: Writing tips
You Still Get Fudge by Brenda J. Wood
Even though the recipe is unbelievably simple, even though there are only two ingredients, the result is terrific fudge. 1 pkg. (225 g) Baker’s Semi-Sweet Chocolate 1 can (300 ml) sweetened condensed milk Line 8-inch square pan with foil, with ends of foil extending over sides; spray with cooking spray. Melt chocolate as directed on… Read more »
A Varied Menu by Carolyn R. Wilker
Today, on this, my last post for the Inscribe professional blog, I ask you to consider your longer-term goal and how you will get there. What do you want to have accomplished by the end of the year? Is it steady blogging or perhaps progress on a book of memories, poetry, devotionals, or other short… Read more »
Happy New Year
It’s here . . . a brand new year with brand new writing opportunities. Here are twelve suggestions to make this your best year yet:
A Writing Plan-of-Action by Steph Beth Nickel
Do you write what you love? What you’ve volunteered to write? What may sell—someday? Or what you’ve been hired to write? How much time do you devote to each? Do you write for the masses? For a small circle of readers? For the one individual you envision yourself “speaking to” when working on a project?… Read more »
Never Stop Learning
How to confound your family in one easy step . . . Curl up on the couch reading Lynne Truss’s Eats Shoots and Leaves and laugh uproariously while your family is trying to watch television in the same room. “Only a writer,” you say. And you’d be right. Or an editor, agent, or publisher.
How to “Right” Funny – Brenda Wood
I’m told that I write funny. People laugh at my comments all the time, but I can’t say that I always understand why. Anyway, there is no point trying to dissect the why of a joke because then the joke is no longer funny. Some of the world’s funniest people had no sense of humour… Read more »
The Mind’s Eye: Part 5 of Writing with Sensory Details – Sandi Somers
I had read the book Pride and Prejudice, noting that the author, Jane Austen, didn’t give many visual cues as to clothing, body language or even where the scene was located. Instead, she focused more on dialogue. The movie, in contrast, contained a lot of visual cues, showing the Bennet family home, the family at… Read more »
Fiction Writing 101: Part 9 – Beguiling Beginnings – Janice L. Dick
Plato said, “The beginning is the most important part of the work.” Kimberly Yuhl suggests you have eight words to capture your reader’s attention. Rob Weatherhead states in the article, Say it Quick, Say it Well (please excuse the grammar), that the attention span of a modern internet consumer is short. “Studies have shown that… Read more »
Encouraging the Disillusioned Writer — Carolyn R. Wilker
Recently I wrote a letter to a fellow writer who had become discouraged. How could I help her get her pen moving again—or her fingers to the keyboard? After thinking on it awhile, this is what I wrote: Dear Discouraged Writer There’s so much to learn, between writer’s guidelines and grammar and the struggle with… Read more »
Sound Bytes: Part 4 of Writing with Sensory Details – Sandi Somers
Beethoven discovered he was losing his hearing as early as age 25. For a musician, nothing could be more disastrous. In his depression he wrote, “Alas! How could I possibly refer to the impairing of a sense which in me should have been more perfectly developed than in other people, a sense which at one… Read more »