Food Dictates Character by Brenda J Wood

Food Dictates Character What She Ate: six remarkable women and the food that tells their stories by Laura Shapiro (Penguin Random House Publishers) evoked all kinds of questions in my mind. The book describes the eating habits of Dorothy Wordsworth, Rosa Lewis, Eleanor Roosevelt, Eva Braun, Barbara Pym, and Helen Gurley Brown. Their eating habits

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  The Power of Fiction by Tracy Krauss

  While nonfiction is probably the most direct way of addressing issues of importance, my personal preference, for both reading and writing, uses fiction as the vehicle. Recently I read a book called Then She Was Born, written by Cristiano Gentili and translated into English by Lori Hetherington. I am often asked to review books,

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  You Gotta Wind Up Where You Started From by Janice L. Dick

Beginnings and endings are the most important parts of our stories, besides the middles! Each part is essential. Take a look at I Corinthians 12:21ff, “. . . the eye cannot say to the hand, ‘I don’t need you!’ And the head cannot say to the feet, ‘I don’t need you!’ ” Our stories would

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  What Gerald Did Next by Brenda J. Wood

Ever read a mystery that left you flabbergasted? The murderer was not the suspect you had in mind. How did that happen? There wasn’t a clue—or at least not one you figured out. So how did the writer pull it off? Quite possibly they were surprised too. You know how it is. You get into

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  A Three Act Sandwich by Tracy Krauss

Building a Sandwich You may be familiar with the good old sandwich analogy. Take two pieces of bread—the beginning of the story and the ending—and layer the rest of the ingredients in between. This is the basic three act structure that fits almost every kind of fiction, no matter if it’s a play, a short

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  Middles by Janice L. Dick

Middles have a way of sagging. I’m talking about books, of course! (adapted from http://www.coloring.ws/t.asp?b=m&t=http://www.coloring.ws/animals/horses/horse7.gif) We may have a pretty good idea where our story is going and how it will end, but how do we manage the part that comes between an exciting beginning and an intense ending? This is important because the middle

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  Combining the “Ps” by Tracy Krauss

The InScribe Blog on Writing would like to welcome our newest bloggers: Tracy Krauss and Violet Nesdoly. Enjoy the following post by Tracy on plotting vs. pantsing. Plotting vs. Pantsing There is much debate among authors over which works best. There is certainly merit to both methods. Plotting ensures continuity while pantsing keeps it fresh.

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  Fiction 101: Research by Janice L. Dick

When I began writing, I came across this statement: “Write what you know.” Wise, but severely limiting if you’ve led a sheltered life. I reversed the adage to read, “Know what you write.” Even if I don’t know something from firsthand knowledge or experience, I can find out about it. Research is not just for

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  Fiction 101 (12) – Point of View by Janice L. Dick

Point of view can be a tricky subject. Basically, it refers to how we decide to relate our story, the perspective from which we see it. Which character(s) will communicate the story most effectively? Do we want to tell the story from one person’s perspective? A short story is often told from one perspective because

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  Effective Endings – Fiction 101 Part 1 by Janice L. Dick

Satisfaction Guaranteed! That’s our motto. We want to make sure that once we’ve shared with our readers the journey our characters have taken, we also grant them a satisfying ending. It doesn’t matter how great the story is; it must leave us content on some level by the time we turn the final page. I’m

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